• Skip to main content
  • Skip to secondary menu
  • Skip to primary sidebar

Pretty Much Pop: A Culture Podcast

A philosopher, an actor, and a sci-fi writer talk about media and how we consume it.

  • About
  • Episodes
  • Subscribe
  • Support
  • Contact

PMP#121: Protesting Protest Songs

April 20, 2022 by Mark 1 Comment

https://podtrac.com/pts/redirect.mp3/traffic.libsyn.com/secure/partiallyexaminedlife/PMP_121_3-24-22.mp3

Podcast: Play in new window | Download

Subscribe: RSS

Are protest songs effective, either as protest or songs? Four songwriters including your host Mark Linsenmayer, Lilli Lewis, Rod Picott, and PMP’s audio engineer Tyler Hislop discuss how protest works in various musical genres, who it’s aimed at, and when it goes wrong. Has the day of the protest song passed, or is it alive and well?

Rod mentions how Bruce Springsteen clarified the political character of “Born in the U.S.A.” by rearranging it (and so did Neil Young with “Rockin’ in the Free World.”) We also mention “1913 Massacre,” “Fuck the Police,” “Signs,” “Ohio,” “We Are the World,” “Why We Build the Wall,” crappy protest songs against COVID restrictions, Hip Hop for Respect, and more.

Lilli mentions Crys Matthews. Mark mentions this article about Twisted Sister and their song used for Ukraine. Visit worldunited.live re. Ukraine.  

Each of us has written some kind of political song: Rod, Lilli, Tyler, and Mark. Learn more about Lilli and Rod’s current releases at folkrockdiva.com and rodpicott.com.

Some articles with more lists and such include:

  • “The 50 Greatest Protest Songs” by Martin O’Gorman
  • “Rolling Stone Readers’ Poll: The 10 Best Protest Songs of All Time” by Andy Greene
  • “The Popdose 100: The Greatest Protest Songs of All Time“
  • “The Most Misunderstood Political Songs Ever: 10 Tracks You Didn’t Get” by Brett Milan
  • “10 of the Worst Political Songs You’ll Ever Hear” by Tom Hawking
  • “The Ten Least Effective Protest Songs” by Tim Worthington
  • “Protest Music: Songs and Free Speech” at First Amendment Museum

Follow us @folkrockdiva, @RodPicott, @sacrifice_mc, and @MarkLinsenmayer.

The supporter version of this episode includes our bonus Aftertalk featuring all of our guests. Get it at patreon.com/prettymuchpop, or now you can sign up directly via Apple Podcasts for a subscription for ad-free and bonus material for three of Mark’s podcasts together on the Mark Lintertainment Podcasts Channel.

This podcast is part of the Partially Examined Life podcast network and is curated by openculture.com.

Sponsor: Find a top-rated doctor by visiting ZocDoc.com/PMP and downloading the free ZocDoc app.

Are you a dirty scab?

Filed Under: Music Tagged With: Lilli Lewis, music podcast, pop culture podcast, Rod Picott

Reader Interactions

« Previous Post
PMP#120: Dexter the Loveable Serial Killer
Next Post »
PMP#122: Maus Shows the Tragic Via Comics

Comments

  1. Conner J. Fields says

    May 3, 2022 at 4:46 am

    You know what indie music, an indie film, and an indie game are…but an indie sport?! That is what you get with indie wrestling. There are other sports that feel indie…

    Reply

Leave a Reply Cancel reply

Your email address will not be published. Required fields are marked *

Primary Sidebar


patreon

What is Pretty Much Pop?

Pretty Much Pop brings together philosophers, artists, comedians, and other smart folks to talk about media and how we consume it: TV, film, music, novels, games, comics, comedy, theater, podcasts, and more. Most of what (other) people like is pretty weird when you think about it, so thinking about it is what we do.

Get 3 shows ad-free with all bonus content from Apple Podcasts!

PEL Network

© 2023 · Pretty Much Pop