What makes for a “cult band”? Not just a small audience, because Grateful Dead fans are an archetypical cult. Not just a devoted, emotionally invested audience; no volume of Swifties make Taylor Swift qualify as a cult act. Does the music have to be somehow inaccessible, or the fans snobby?
Your host Mark Linsenmayer and three other musicians try to figure it out:
- Tim Quirk, frontman of Too Much Joy, writer and music executive
- Aaron David Gleason, musician and actor
- Chris Sunami writes The Pop Culture Philosopher blog, among other things
A few of the names that come up for consideration are Tom Waits, The Cure, XTC, Big Star, Brian Wilson, Lou Reed, Guided by Voices, David Bowie, R.E.M., The Residents, Os Mutantes, Tony Owens, Phil Judd, Mike “Sport” Murphy, and many more.
We talk about how the Internet has affected fandom and the music business, the power of musicians lauding each other, and how music fandom relates to other fandom.
Listen to Aaron talking about his songs on Nakedly Examined Music, on Pretty Much Pop last year (talking about Borat), and as part of a Partially Examined Life audioplay (also featuring PMP favorite Erica Spyres and cult actress Lucy Lawless). Listen to the song he mentions that resulted from a Tik-Tok collaboration with cult artist Emma Freeman. Follow him on Facebook.
A couple of articles that fed into this included:
- “The 8 Most Annoying Band Cult Followings in America” by Clayton Guse
- “The 12 Strangest Albums With Rabid Cult Followings” by Sean Kelly
- “List ‘Em Carefully: The Top 15 Cult Acts” by Ted Maider (from back in 2011)
Just to explain one of Mark’s comments, there really was a playset for “the hatch” for the TV show Lost.
This episode includes bonus discussion you can access by supporting the podcast at patreon.com/prettymuchpop, or now you can sign up directly via Apple Podcasts for a subscription for ad-free and bonus material for three of Mark’s podcasts together on the Mark Lintertainment Podcasts Channel.